Photo credit, Grace/Fury hero image: Disrupted Memory by Lisa Tomasetti
I dreamed Picasso’s minotaur crouched on the headland, overlooking the dunes.
One arm shades his eyes from ocean-glare.
The other girls lift in salt swell, beyond the spilling waves. And in this dream, Persephone leaves them—crossing foredunes of pig face and spinifex, along the estuary’s line toward the wharf.
She finds seahorses and anemones between pylons encrusted with oyster shells.
And then she sees it—a starfish, an undulating flower, like a cobra-dance underneath the wharf.
It draws her like a baited hook, and he follows.
The stingrays and the moon and the bay will not judge him.
Excerpt from Sting in the Moon’s Tail – text for Grace/Fury by Judith Nangala Crispin
about GRACE/FURY
Grace/Fury is a whole-of-community response to the seemingly timeless outrage of femicide and violence against women and girls, an outrage of epidemic proportions in Australia. Driven and animated by an extraordinary cohort of women spanning eight decades, energised by female rage and radiance, Grace/Fury is a celebration of solidarity and empowerment, a battle-cry, a defiant celebration of female rage and radiance set in our landscapes and times.
the myth of Demeter and Persephone
Demeter – Goddess of agriculture and fertility – is outraged when she learns of her daughter Persephone’s rape and abduction by Hades. Grief-stricken Demeter roams the world in fury, laying waste to the Earth’s crops, holding the Gods to ransom in defiance of their complicity in the violation. Eventually, seeing the mortals’ starvation, Zeus concedes to Demeter’s demands. He orders Hades to return Persephone to her mother – but only for part of each year.
why now?
In 2024, tens of thousands rallied in cities and regional centres around the nation to share their horror at these grave statistics:
- One in 3 women has experienced physical violence since the age of 15, and one in 5 has experienced sexual violence.
- In 2021, girls aged 10 to 17 made up 42% of female sexual assault victims.
(Foreword, National Plan to End Violence against Women and Children, May 2024)
Few Australian communities have been spared from this wreckage. In the Bega Valley, deep scars remain in our community’s psyche. Coastal sites still stir memories of decades-long-ago episodes of male violence and criminality on women and girls. Generations of families, friends, teachers and neighbours have been affected by this shadow.
- An arts-led social initiative encompassing numerous streams of activity and many partnerships, Grace/Fury expresses solidarity with our local community. We will use artistry and creativity to raise our collective voice against gender-based violence, with an urgent and clear purpose:
- By sharing this project with each other and with our community, we initiate empowering conversations and communal progress.
- By seizing an ancient story to make something new, shining and brilliant we reclaim the myth’s narrative, and by reframing the myth as something we recognise in daily life, we deepen empathy.
- By placing creative leadership in the hands of young people, we express our optimism for a brighter future.
young people will lead the way
Teenage girls will lead the charge in Grace/Fury. FLING, Bega’s youth physical theatre company, whose edgy teenage energy is an inspirational driving force for the creative team, are key collaborators in this work.
The FLING cohort will be joined by dozens more female singers, actors, percussionists and musicians of all ages will create a large-scale, mobile ‘Greek Chorus’ of 100+ performers, inspired by antipatriarchal heroines, the #metoo global protest movements and even the Matildas, responding to the Demeter and Persephone story in a ritual embodiment of female rage, power and celebration.
I kept her room as she left it – Madonna posters blu-tacked to the wall over a bed crammed with soft toys. I wore her kimono around the house for weeks, wept in bars and cafes, bus stops, petrol stations, and supermarket checkouts.
Have to find a way to be stronger. If I put on lipstick— I will feel normal.
Excerpt from Sting in the Moon’s Tale text for Grace/Fury by Judith Nangala Crispin
Grace/Fury part 1 (2025/26): a whole of community conversation
Grace/Fury’s scale, ambition and subject matter provides a powerful focal point and opportunity to bring together a carefully selected team of civic minded artists and community organisations from within and beyond this region.
Four key arts organisations in the South Coast region – Crimson Rosella Creative Adventures, FLING Physical Theatre, SE Centre for Contemporary Art (SECCA) and Four Winds – have formed a creative partnership on Grace/Fury. Led by Grace/Fury producers Crimson Rosella, the partners will work closely with the project’s specially convened Community Engagement Group to develop a two-year community engagement strategy.
The Grace/Fury Community Engagement Group brings together leaders of local women’s support and mental health organisations working in the space of Domestic Violence and Sexual Assault. This Group will walk alongside the project to its completion, guiding and advising the team on the development of a series of safe community discussions, ensuring that local voices and stories are heard, listened to and embedded in the project.
Grace/Fury part 2 (2027): an epic performance on the Tathra headland
Performed at sunset on dramatic coastal landscapes by a cast of 100+ female-identifying community participants of all ages, backgrounds and abilities, Grace/Fury will be led by teenage girls from FLING Physical Theatre.
Judith Nangala Crispin’s searing new version of the Homeric Hymn to Demeter composed in the 7th century BC spans four seasons, locating the myth in a coastal community in contemporary regional Australia. The myth tells of the rape and abduction of the teenage Persephone by her uncle Hades and her grief-stricken mother Demeter’s earth-scorching pursuit to find her missing daughter.
It is an ancient story and an everyday Australian story.
Grace/Fury gathers dancers, choirs and percussionists from our community, side-by-side with professional artists, musicians and actors. Performers will flow across four magnificent sites around the Tathra headland, an environment of spectacular cliffs, ocean, sky and horizon evoking the poem’s mythic power. The story is accompanied by a live score performed by an all-female percussion ensemble and choir, culminating on the Tathra Wharf as the sun sets.
creative development: making the work
Under the creative leadership of co-directors Ella Caldwell and Lindy Hume, the Grace/Fury creative team are seeking contemporary physical expressions for ancient mythic archetypes. Who are the graces, furies, sirens, muses, gods and demigods now? How do they move in our world?
Judith Nangala Crispin traces her ancestry to the Bpangerang people of North-Eastern Victoria and the NSW Riverina, but now lives in Braidwood on Yuin Country. Her poem is grounded in respectful dialogue with local First Nations women storytellers to determine resonances and synergies between Greek myths and their allegorical counterparts from this place.
Grace/Fury progress so far – 2023-2025:
- November 2023 – creative work commences in with a three-session exploration with performers from FLING Physical Theatre, building movement in response to text excerpts from the Oresteia by Aeschylus (458 BC). Composer David Hewitt begins the process of merging text and percussion underscore with a short sequence.
- Braidwood-based poet Judith Nangala Crispin is commissioned to write a new version of the Homeric Hymn to Demeter. Her poem is delivered in March 2024 (excerpts above).
- Nationally recognised local actress Tracy Mann as Demeter records the poem, which will be accompanied by a percussion underscore by David Hewitt.
- Grace/Fury creative team assembled. First meeting with co-creators Ella Caldwell and Lindy Hume with Gabby Rose from FLING to ensure young people are at the centre of Grace/Fury.
- November 2024 – first Community Engagement Group meeting.
- Tathra Headland identified as performance site.
- Grace/Fury successful at EOI phase of Creative Australia’s highly competitive Creative Futures initiative but is unsuccessful at the final stage. This outcome firms our resolve to power on.
- Canberra-based female marketing and strategic communications consultancy Rowdy offer support for Grace/Fury.
Community Engagement and creative development Initiatives in 2025/26
- Public discussions, activism and related local art-events for International Women’s Day in March and the UNESCO 16 Days of Activism in November.
- Commissioning music in stages, work-in-progress public showings.
- Lisa Tomasetti Demeter and Persephone mother/daughter photography project (details to come – watch this space)
- Creative development phases and performance storyboarding with lead artists and creative partner organisations.
- Community engagement activity guided by Community Engagement Group.
- Public panel discussions with guest speakers, partner organisations and Community Engagement Group at Tathra Hotel and Headland Theatre
- Fundraising/philanthropy activity in Bega Valley and Canberra
Pre-production and realisation in 2027
- Proof-of-concept work on all aspects of site-specific performance including rehearsals, site assessments, technical, safety, design, audience experience.
- Performances on Tathra Headland
- Debrief, documentation and social impact assessment
GRACE/FURY team
Lindy Hume AM – Creative Director
Lindy Hume is one of Australia’s leading directors, acknowledged internationally for fresh interpretations of a wide variety of repertoire and progressive artistic...
Gabrielle Rose
Gabrielle is the Executive Director of FLING, following her tenure as Co Artistic Director with Rob McCredie since 2016, having joined the organisation in 2013. Her...
Geoffrey Badger
Geoffrey Badger is a composer, conductor and music educator based in the Bega Valley. He is an experienced teacher of music in both primary and secondary schools, as well as...
Kristina Chan
Kristina Chan is an award-winning choreographer, dancer and teacher based on Biripi Country in New South Wales. Her career has seen her perform in Australia, Canada, Israel,...
Ella Caldwell
Ella is a theatre director, dramaturg and actor who grew up on the far south coast of N.S.W, later studying Creative Arts at the University of Melbourne. A founding member...
Judith Nangala Crispin
Judith Nangala Crispin is an award-winning poet, academic and visualartist of Indigenous and mixed descent. She has published twocollections of poetry and her verse novel...
Katja Handt
Designer Katja Handt is a set and costume designer/ maker and artist based in the Illawarra NSW who has worked for 20 years in events, exhibition design, film, performing...
David Hewitt
David Hewitt, composer and percussionist, has been involved in new music and performance making for over 20 years. David is a founding member of Taikoz, a member of Synergy...
Tracy Mann
Tracy Mann is an Australian screen and stage actress. After appearing in a number of television series, she won an Australian Film Institute award in 1980 for her movie Hard...








